In February, DiverseWorks will welcome Portland, Oregon-based choreographer Takahiro Yamamoto and his collaborator sidony o’neal. While in residence, they will meet with a number of area artists, academics, and community activists; present a public workshop at Asia Society Texas Center, and rehearse and present a work-in-progress showing of Direct Path to Detour. This new work is co-commissioned by PICA, DiverseWorks, Contemporary Arts Center Cincinnati, and the National Performance Network. Its final iteration will be presented in Houston in October 2017, following its world premiere in Portland this May.
Tuesday, February 14, 1 – 2:30 pm
Asia Society Texas Center, Edward Rudge Allen III Education Center
1370 Southmore Blvd, Houston, TX 77004
No movement experience is necessary. Free, but advance RSVP is required by emailing Taylor Hoblitzell, email@example.com.
WORK IN PROGRESS SHOWING: DIRECT PATH TO DETOUR
Thursday, February 16, 6 – 8 pm
DiverseWorks – MATCH Rehearsal Room
3400 Main Street, Houston, TX 77002
Free, but seating is very limited and advance RSVP is required by emailing Taylor Hoblitzell, firstname.lastname@example.org.
In today’s culturally diverse, globalized society, one is inevitably exposed to multiple aesthetics, ethics, and ideologies. Through this project and from his perspective as a queer, Japanese immigrant, Yamamoto investigates the physical and emotional effects that result when multiple sets of cultural values and expectations crash, negotiate, reconcile and/or float around each other in contemporary society.
While in Houston developing this project, Yamomoto and one of his collaborators, sidony o’neal, will engage the community by presenting a brief showing of Direct Path to Detour, followed by a conversation about their artistic processes. Over the next few months, Yamamoto is participating in residencies in Cincinnati, Houston, and Japan as a research method in order to introduce himself and his collaborators to communities prior to the presentation of the full performance. This preliminary research residency and interaction with the Houston community will be integral to the final presentation at DiverseWorks in October 2017.
ABOUT THE ARTISTS
sidony o’neal is a writer and artist based in Portland, OR. They have performed as a member of performance projects DEAD THOROUGHBRED, DELICTO, and FUTUREDEATHAGENCY. Their writing has appeared or is forthcoming in Passages North, BATHHOUSE, SPOOK magazine, FUTURE CONCRETE, Women & Performance, and VARVVARV. They are the translator of Prognosis: Descarga Poetica Decolonial (Quilomboarte 2014) and author of f a c e b o w l (THE MINI CHAPBOOK PRESS 2013). sidony has held a Literary In(ter)ventions residency at the Banff Centre (Canada), a Creative Exchange Lab Residency with the Portland Institute of Contemporary Art (US), and a residency at Arteles Center (Finland). They are a long-term artist-in-residence in the Synth Library at S1 gallery (Portland).
Originally from Shizuoka Japan, Takahiro Yamamoto works in performance, sculpture, and photography in Portland, Oregon. He has shown his original works nationally and internationally at Links Hall (Chicago), GoDown Arts Centre (Nairobi), Bedlam Lowertown (St.Paul), Fresh Festival (San Francisco), Center on Contemporary Arts (Seattle), Rowan Gallery (Los Angeles), and Disjecta (Portland). He has performed with Morgan Thorson, Xavier Le Roy, Opiyo Okach, Mårten Spångberg, Keith Hennessy, Jmy James Kidd, Perseverance Theatre Company, and many others. He holds an MFA in Visual Studies from Pacific Northwest College of Art, Portland. He was selected for PICA’s 2015 Creative Exchange Lab and 2012 danceWEB scholarship in Vienna, Austria. Additionally, he co-directs the performance company madhause with Ben Evans, and is part of the Portland-based group Physical Education with Allie Hankins, keyon gaskin, and Lucy Lee Yim.
Direct Path to Detour is a National Performance Network (NPN) Creation Fund Project, co-commissioned by PICA in partnership with Contemporary Arts Center Cincinnati, DiverseWorks, and NPN. The Creation Fund is supported by the Doris Duke Charitable Foundation, Ford foundation, and the National Endowment for the Arts (a federal agency). For more information: www.npnweb.org.
The project has also received funding from the Japan Foundation through the Performing Arts Japan program.
Organizational Partners: Asia Society Texas Center, Dance Source Houston