This is the city we make together by performing it. Who are you in it? Who represents you?
Co-Presented by DiverseWorks and the University of Houston Cynthia Woods Mitchell Center for the Arts
November 1 – 3, 2012, FREE
City Council Meeting will be presented in three very different locations over three evenings the first weekend in November. Post-show discussions will follow each performance. Admission is free.
City Council Meeting is a participatory theater event about empathy, democracy and power. Combining transcripts from government meetings in several cities, as well as original writing and a surprise ending, City Council Meeting reveals the city we make each night by performing it. This work is created anew in each city where it is presented, with the help of local actors, activists, politicians, and other citizens. The presentation in Houston over the final weekend leading up to Election Day marks the first stop in City Council Meeting’s four-city premiere, to be followed by Tempe, AZ, New York, NY, and San Francisco, CA.
Schedule of Performances:
|Thursday, November 1
2nd Floor Courtroom
5300 Griggs Road, 77021
|Friday, November 2
Project Row Houses
2310 Elgin Street, 77004
|Saturday, November 3
DiverseWorks – Midtown
4102 Fannin, Suite 200, 77004
(entrance on Cleburne between Fannin and Main)
mapFree parking available across Main Street at South Main Baptist Church’s south lot, 4100 Main Street.
Co-commissioned by DiverseWorks and created by playwright, performer, and teacher Aaron Landsman along with his collaborators director Mallory Catlett, and designer Jim Findlay, City Council Meeting is an exercise in performed participatory democracy that utilizes the procedures and processes of actual city council meetings to educate audiences, provoke empathy, and reframe local politics through the lens of art. City Council Meeting starts with the idea of politics as performance, and ends with a deeper set of questions: What makes us civilized? What makes us a community? What are the rules and situations that bind us? Who makes those rules? At each performance, audience members have the option to participate as Councilors who conduct the meeting; Speakers who are called on to give testimony; Supporters who stand in support of others; or as Bystanders who observe the proceedings. The performance is facilitated by Landsman, Catlett, and Findlay, along with a group of local artists and community organizers who act as Staffers. Those Staffers are Assata, Christa Forster, John Harvey, Maria Cristina Jadick, Autumn Knight, Husein Lokhandwala, and Nicola Parente.
Sometimes people wonder why we don’t have actors do the show. What we like to say is that we DO have actors do it. You. And you are perfect. We have been working on City Council Meeting for almost three years now, and we are so excited that the first presentation is in Houston, through this partnership with DiverseWorks and the Mitchell Center for the Arts. Both of these organizations are at the forefront of the conversation on how art is part of our lives all the time, and Houston is lucky to have them both.
For more information about Aaron Landsman and City Council Meeting click here.
About the Artists:
Aaron Landsman is a playwright, performer, and teacher based in Brooklyn, NY and Urbana, IL. His work is often presented in places where people perform their lives – homes, offices, bars, and the street. His productions include: Appointment, an ongoing series of one-on-one performances in small offices; Open House, commissioned by The Foundry Theatre and presented in 24 New York City apartments; Love Story, a gallery performance and audio walk presented at Austin’s FuseBox Festival; and Desk, presented by Chashama in New York City in an abandoned midtown workplace. His stage works have been presented in London, Cleveland, Minneapolis, New York, and Lund (Sweden). Landsman has performed with many directors and choreographers, most recently Elevator Repair Service, with whom he worked from 2004-2011. He has taught at Juilliard and New York University and guest lectured at Columbia University, Stanford University, and Parsons The New School for Design. More: thinaar.com
Mallory Catlett is a director/dramaturg who creates work with several theatrical entities in New York City including Banana Bag & Bodice, Latitude 14, Restless Productions NYC and Aaron Landsman. Her work has been seen in New York at HERE, Chocolate Factory, Ontological-Hysteric Theater, and PS122, among many other venues, and internationally: Western Front (Vancouver), Escales Improbables (Montreal), Exit (Cretiel, France), Kilkenny Arts Festival & Dublin Fringe (Ireland), Edinburgh Fringe (Scotland), and Noorderzon (Gronignen, Netherlands). More: mallorycatlett.net
Jim Findlay was a founding collaborator in both Collapsable Giraffe and Accinoso/Cynthia Hopkins. He has been an associate artist in the Wooster Group since 1994 and is a frequent collaborator with Ridge Theater, Bang on a Can, and Ralph Lemon. Other recent work includes video design at Arena Stage and scenic design for Ralph Lemon at the Lyon Opera Ballet. Current projects include Stew’s Brooklyn Omnibus at Brooklyn Academy of Music. Awards include the Hewes Design Award, Lortel Award, Princess Grace Award, 2001 and 2008 Obie Awards, and 1999 and 2008 Bessie Awards. More: jimfindlaynyc.com
City Council Meeting began development with a three-year residency at HERE Art Center in New York, through the HERE Artist Residency Program (HARP); HERE will act as co-producer for the New York City presentation of the piece. City Council Meeting was also made possible with funding by the New England Foundation for the Arts’ National Theater Pilot, with lead funding from The Andrew W. Mellon Foundation. The project also received support from The MAP Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation. City Council Meeting is a National Performance Network (NPN) Creation Fund Project co-commissioned by DiverseWorks Art Space, in partnership with HERE, Zspace and NPN. The Creation Fund is supported by the Doris Duke Charitable Foundation, Ford Foundation, and the National Endowment for the Arts (a federal agency). This project is made possible in part by support from the NPN Community Fund. Support for the Community Fund comes from the Doris Duke Charitable Foundation, the National Endowment for the Arts, and MetLife Foundation. For more information: www.npnweb.org. The project also received support from the Puffin Foundation, Jerome Foundation, and many individual donors.